Act 2 of Reasons to Be Pretty

Act 2 of Reasons to Be Pretty Motivations to Be Pretty is a hard-edged parody composed by Neil LaBute. It is the third and last portion of a set of three. The trio of plays (which likewise incorporate The Shape of Things and Fat Pig) are associated not by characters or plot however by the repetitive topic of self-perception inside American culture. Motivations to Be Pretty debuted on Broadway in 2008. It was named for three Tony Awards (Best Play, Best Leading Actress, and Best Leading Actor). Coming up next is an outline and investigation of the occasions in Act Two. Peruse the summary and character layout of Act One. Scene One - After the Break Up Act Two of Reasons to Be Pretty starts in the entryway of an eatery. Steph and Greg out of the blue experience one another. Steph is out on the town, and the previous couple ungracefully make casual banter, endeavoring to be charming. The discussion segues to sentimentality for their great occasions together, which at that point changes into the recognizable contention about self-perception and their separation. She smacks him, at that point similarly as abruptly attempts to apologize. Be that as it may, Greg has had enough. He discloses to her that her date will inevitably offend her as well, and that he wont be there to support her. Some way or another, they chill off and wish each other well on their lives without each other. Scene Two Carly visits Greg (who is once more perusing some exemplary writing). He remarks that has not seen Kent of late. In the wake of attempting to compliment him, Carly then needs to ask him a significant inquiry about Kent. Prior to the inquiry, Carly uncovers that she is three months pregnant. She presumes that Kent is undermining her. From the start, Greg fights that he doesn't accept that Kent is unfaithful. Carly keeps on forcing him, asking Greg to look at her without flinching and state he doesnt know anything. She inquires as to whether Greg was out with Kent and young ladies, however Greg lies and says that it was simply folks from work. This calms Carly until further notice. She lets him know: I dont know why God made it so difficult for us to believe you folks yet he did, and it sucks. Scene Three Greg and Kent get ready for business related softball match-up. Kent says that he expects Carly to head out to the rec center the day after the child is conceived. He expresses gratitude toward Greg for concealing his undertaking, and starts to describe his ongoing sexual adventures with Crystal, the hot young lady from the workplace. Greg attempts to clarify that he no longer lie about Kents issue. This infuriates Kent, who feels that Greg is being critical. He more than once calls Greg a pussy. Greg attempts to get the advantage, implying that he may come clean with Carly, however Kent accepts that he is feigning. He guarantees that Greg could never tell since he fears individuals detesting him. Kent menaces him, wrestles him to the ground, and afterward calls his ex terrible. Greg at long last faces Kent, not on the grounds that he is unpleasant, not on the grounds that he is a philanderer, and not as a result of his remarks about Steph. Before he thumps Kent, Greg clarifies that he is doing it Because you need it, alright? For what your identity is and what you have done, and for all the sh*t you will no uncertainty execute for an amazing remainder. After over-driving his ex-companion, Greg leaves Kent, who exhaust in rage. Scene Four Carly and Greg are hanging out in the lounge. She talks about her pregnancy. In order to show Carly reality with regards to her significant other, Greg unequivocally proposes that she takes the night off and return home to her better half. She follows his recommendation. Despite the fact that we never observe the encounter among Carly and Kent, it is inferred that Carly will find reality with regards to her spouses undertaking, and will move onto another part in her life. Following Carly departs, Stephanie makes a trip to share the news: she is locked in to be hitched. Steph has become a chief at her hair salon. Greg has plans to set off for college, understanding that he doesnt need to work at a distribution center for an amazing remainder. Steph concedes that she can't quit pondering Greg, yet simultaneously accepts that she will be a lot more joyful with her prospective spouse. Greg apologizes and is understanding. He accentuates that she has a pretty face, improving her vibe. He likewise concedes that he is just floating, and that their four years together may never have transformed into marriage. She leaves, however not before kissing him farewell one final time. In spite of the fact that they don't revive the relationship, the characters in Reasons to Be Pretty speak to a fairly idealistic view on connections and youthful, white collar class Americans. In contrast with the hero in Fat Pig, Greg displays both mental fortitude and magnanimity before the finish of the play.